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Develop your story into a screenplay.

A desktop Studio and creative partner that remembers every choice you make, and why, from the first idea to the last page. You choose what becomes part of the story.

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The Studio is coming soon for Mac and Windows.

You’ll need your own ChatGPT account to use the Studio.

Pages A finished scene, written from the plan you approved.

31.

INT. INGOLSTADT - ATTIC WORKROOM - NIGHT

One in the morning. Rain on the panes. The candle has burned almost to the dish.

VICTOR FRANKENSTEIN (20s), hollow-cheeked, stands over a long table. Under a sheet lies a figure too long for it.

He draws the sheet from the face. Yellow skin. Black hair. Teeth as white as pearl.

VICTOR

I chose every feature for its beauty.

The candle gutters. He bends close with it.

In the last of the light, a dull yellow eye opens.

The chest heaves. A huge hand closes on the edge of the table.

Victor backs away. The candle hits the floor and dies. In the dark, the table creaks.

Scene plan Before a word is written, the scene’s purpose is agreed. By you.

Scene plan

The yellow eye

Enters
Two years of work end tonight. Victor has not slept, or written home, in weeks.
Moves
The candle burns down. The body stays still. Then it doesn’t.
Pressure peaks
The eye opens, and turns to him.
Leaves
The thing he made is alive. And he has already run from it.

Approved by you, revision 3

Characters What the story knows about them, and what is still only a possibility.

Victor Frankenstein

Characters

Wants
To be the first to give life.
Fears
Having to answer for what he makes.
Contradiction
Spent two years making a life. Cannot stay in the room with it.

It looks at him the way a child would.

A possibility

Story Space Where it began: your own words, kept with the night you said them.

Your words, 11 November, 1.03 am

“What if it isn’t the face that scares him? It’s the eye. It looks at him like he owes it something. A father who can’t stand being looked at. That’s the whole book.”

Still open Kept in Story Space with the conversation it came from.

The whole story One story, wherever you work on it.

Victor FrankensteinThe yellow eyeIngolstadtIt looks at him like a childThe creatureElizabethWhat does it want from him?Henry ClervalThe sea of iceA name for the creatureWilliamJustineShould he make a second?The cottage in the woodsVictor’s journalElizabeth meets it firstCaptain WaltonWho is the monster?Your words, 11 November

Step inside the Studio

Watch a story take shape in the desktop Studio. A look at the work in progress, while we prepare for release.

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Nothing is rewritten without you.

Ideas arrive as possibilities, from you or from your collaborators. When you choose one, the Studio shows everything it touches, and why. Your pages change only when you say so.

The creature’s eye opens.

What does Victor do?

What it touches

Choose one. Until you do, all three stay possibilities, and nothing else in the story moves.

Three ways into a story.

The Reading Room

Read produced screenplays scene by scene, the way they were written before they were filmed.

24 screenplays to read

Enter the Reading Room

The Outlining Room

Study the structure of great films. Arrange a story of your own, then take it to paper.

Film studies, story boards and printable 3×5 cards

Enter the Outlining Room

First Principles

The craft we steer by, drawn as a sky. Every note traces back to one person: the viewer.

26 craft notes, 3 lenses

See the sky of the craft

Every screenplay begins with a title page.

Put your name on yours. The creature is lost in darkness and distance. Your story doesn’t.

Made in your browser. Nothing you type is sent anywhere.

The Studio, where you’ll write it, is coming soon.

Or step into another story: Alice’s Adventures in Wonderland

YOUR TITLE

Written by

Your name

First draftNovember 2026